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Description
Discover «Euphony», the power amplifier that not only redefines audio excellence in pure Class A operation, but also sets a new standard in sound recreation with unrivalled precision and emotional richness.
This equipment is a jewel for sound, offering impressive levels of quality and fidelity that transform any space into a concert hall.
Class A Power and Purity
Experience the absolute purity of the amplification with 50W + 50W in Pure Class A a . This design operates continuously in its linear region, guaranteeing a unrivalled musical fidelity and virtually zero distortion (). Ideal for audiophiles seeking maximum transparency and the finest control over their speakers.
Construction and Stability
With a operating weight of and robust dimensions (), Euphony is a genuine heavyweight. This solid construction ensures a stable power supply and optimal thermal performance, crucial elements for maintaining Class A purity during even the most demanding listening sessions.
Superior Technical Performance
The stage reveals every subtle nuance of their music thanks to a stunning signal-to-noise ratio) and a wide response range of . Its high gain (and its ability to handle impedances of they demonstrate a absolute control and versatility to work with a wide variety of high-end loudspeaker cabinets
The Lyritech Euphony offers a sound of sublime transparency, where its Pure Class A and signal-to-noise ratio greater than they work together to uncover every last detail and the emotional texture of each recording.
More than power, Euphony delivers pure musicality, guaranteeing an audio reproduction that is simultaneously dynamic, warm and fatigue-free, immersing them completely in the wide response range of .
Lyritech Euphony: Technical Specifications
Spanish 
English
Alberto Fernández Cosío (verified owner) –
—
During my recent visit to Valladolid, I had the opportunity to try out several Class A amplifiers. Among the equipment I had the pleasure of testing, the Pass Labs INT 25 stood out remarkably, impressing me deeply with its synergy with the Lyritech Moonriver 8 loudspeakers, a brand previously unknown to me. Despite its exceptional performance, the price exceeded my budget, which led me to look for other options.
I was also able to listen to some valve electronics, which sounded wonderful. It is only fair to acknowledge their high quality, but I have always had certain reservations about valves, preferring to steer clear due to a mix of respect and caution. Although they assured me of their safety and reliability, I decided they were not what I was looking for.
Finally, my attention turned to a power amplifier by the brand Lyritech, specifically the Euphony model, which sounded very similar to the Pass Labs. The need for a preamplifier to accompany this power amp led me to another point, choosing a preamplifier. The Cayin iDAP 100 fulfilled this requirement and also provided quality streaming. Therefore, the package was finalised.
Back home and after a week of use, I can confirm that this choice has been a very successful one. This system has not only met my expectations, but has exceeded them, offering a sound quality that I enjoy every day.
I would like to express my sincere thanks to the Lyric Audio team for their exceptional customer service. Their friendliness, patience and willingness to help.
—
Juan Alberto Torres Martín (verified owner) –
I went to Lyric's premises with the idea of purchasing a valve amplifier based on 300 B valves and I came home with a transistor one. Before making my decision, I had the opportunity to test several amplifiers in the shop, which allowed me to appreciate the sound differences between the valve and transistor models.
I was able to compare this power amplifier against several valve models, and it was the transistor one that I liked most due to its clarity, precision and the warmth of its sound. I have added it to a DAC output and I am very pleased with the final result, far exceeding my initial expectations.
Thank Daniel for his excellent service and availability.
Valentín González (verified owner) –
Music lovers, audiophiles and serious matters.
I've been a lifelong music lover from a very young age. I'm also an audiophile; I like the music I listen to to sound as good as possible, within reasonable financial limits, by my own standards, of course.
I discovered what is known as Hi-End almost by chance.
A photographer friend of mine had a sound department right next to his studio. He distributed equipment and gave demonstrations for a company that imported high-end audio equipment.
One day, during a visit I paid him, I heard something sounding exceptionally good from the entrance to his studio, located on the first floor. The music lover inside me felt a tremendous curiosity about the origin of that sound, which was so perfect.
Right opposite the studio door, on the other side of the landing, I spotted through the open door a few devices – the sound-producing equipment – of a design I’d never seen before.
My friend was in that room and I went in to say hello and to listen to that canned music, sounding like I had never heard anything before.
It was love at first sight, but my heart was broken when I found out just how exorbitant the prices were at that level.
Several decades have passed since then – many years.
Little by little, cup by cup, I began to acquire the pieces I needed to gain access to the paradise of sound that had stolen my soul.
A high-end CD player and a matching DAC were the first things I bought. Next came a valve pre-amp and the matching power amp, some electrostatic speakers, cables, mains filters, and so on. It cost a small fortune, and I had to upgrade the system to tailor everything to my taste and the specific characteristics of the equipment.
One day, the valve amplifier proved unable to cope with certain symphonies,
Solti's ending of Mahler's Eighth became impossible for him. The first movement of Bruckner's Fourth by Karajan, too...
I needed a special power amplifier. The valve one was replaced by a transistor one, which still thrills me to this day.
The CD player and the digital-to-analogue converter, both in full working order, have been replaced by a single unit that combines both components; thanks to advances in electronics, it is far more economical and sounds far better than those extremely expensive models I mentioned at the start. The years have not passed in vain, and their time has come to retire.
Everything else remains active just as satisfactorily as was to be expected.
And here comes the second part.
The time has come to carry out a timely overhaul of my entire Hi-End system. I am not talking about replacing it, but about tuning it up, changing its oil and points... Passing the MOT, with the 'O' standing for my own name in this case.
I decided to pop into a shop and workshop – in one and the same place – specialising in very high-end equipment, located in Valladolid, having done some preliminary research, power stage testing and electrostatic speaker trials. It’s called Lyric Audio Elite, a long-established company in this field, from whom I’d never bought anything before. As you can see, I’m not exactly giving them much of a plug, though I haven’t finished my spiel yet.
Despite not selling the brands that I enjoy, they are going to carry out the thorough service I asked them for.
And, naturally, the wish to satisfy my curiosity by listening to his equipment had already been agreed upon during our telephone conversation.
As soon as I walked into the reception area, I realised they were tube enthusiasts. There was kit packed with tubes everywhere. I’m not exaggerating when I say I counted thirty top-of-the-range amplifiers, pre-amps and phono stages from brands such as Jadis, Cayín and Passlabs.
Of course there were cone-type screens – none were electrostatic – but they were of a high standard in terms of both quality and price.
I brought three of my CDs so that you could listen to something familiar whilst comparing the sound quality of your equipment with mine.
I will state here, in case you didn't know, that Lyric Audio Elite has designed high-end loudspeakers, cables and amplifiers, manufactured between Europe and China by very high-level brands. Now they are engaged with a valve preamplifier, a phono stage and other such little things…
Over in one corner, they had a 50-watt pure Class A transistor amplifier per channel, which they had designed themselves, inspired by Pass Labs, and which looked like the twin brother of a Krell KSA-50S. It really caught my eye.
Well, they played whatever music they wanted with a 70W per channel Cayin valve amplifier, through a Jadis valve preamplifier, using full-range speakers of their own brand, the sound of which came from both the internet and the CDs I had brought along.
However, I apologise, the sound did not impress me, so they changed to three-way ProAc speakers. The sound improved, but I was still lacking punch in the bass and airiness in the treble.
Just as we were about to head off to rest at the hotel, I asked if I could listen to that gorgeous solid-state amplifier they had designed, called Euphony, which was on the shelf. To humour me, they hooked it up to the same system we'd been listening to and we went off for a coffee, leaving it playing to warm up.
On the way back they played music from streaming as well as from my CDs. The result was so surprisingly fantastic that they themselves admitted that that setup sounded much better than everything before it. But what am I getting at with all this that I have told?
Going to a high-end audio show nowadays is to enter a world where you are surprised from one setup to the next by the wild, immeasurable price at which they intend to sell those systems, which are ultimately nothing more than an imitation of the ones known twenty or thirty years ago. It is such madness that if a system comes in at under a hundred thousand euros, it feels like it has been put in the sales. Compact amplifiers costing 70,000 euros, speakers that don't drop below two hundred thousand euros, cables with aphrodisiac prices, record players worth more than a beach chalet and similar atrocities, have driven people who want to listen to good sound away from anything bearing the audiophile label. But there is still hope.
This is what led the people at Lyric Audio Elite to design their own products so that they would be reasonably priced. And quite reasonably priced they are too.
The system I mentioned, with the Lyritech Euphony amplifier, designed by Lyric Audio Elite, sounded so spectacularly that I had to ask the price twice to believe it. €2,800.
Yes, I already know that to anyone not in this world it will sound extreme, but anyone who knows what I'm talking about will think it's missing a zero at the end.
Compare it with a Krell. If you notice any difference, let me know; I haven't been able to. I mean compare the sound, not the price…
Praise is due: it had been years since anything impressed me so much, speaking of sound, of course. And yes, it sounded very clear.
What you see in the photographs is what was used in the tests: a mains stabiliser, an Audes power conditioner, the player is a Cayin with a built-in converter, the Jadis valve preamplifier and the impressive Lyritech Euphony power amplifier. The cables are also Lyric Audio Elite designs.
That valve monster you can see right at the front in the general photo is a 400-watt-per-channel Jadis amplifier, which they have restored in their own workshop. There is a smaller valve amplifier on the right, which is the 70W-per-channel Cayin where this musical tale began, and which I am bringing to an end right here.
And the CDs I took to the listening session.
The Lyritech Euphony is a marvel.
Valentín González (Valentín Arte)